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๐€ ๐๐š๐ฒ ๐จ๐Ÿ ๐ฆ๐ฎ๐ฌ๐ข๐œ๐š๐ฅ ๐ข๐ฆ๐ฉ๐ซ๐จ๐ฏ ๐š๐ง๐ฒ๐จ๐ง๐ž? ๐ŸŽถโฃโฃ

  • Jen Wrigley
  • Oct 1
  • 2 min read
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When I tell people I just did a one-day musical improv workshop with a bunch of people I donโ€™t know, they mostly react with, โ€œThat sounds terrifying!โ€ and โ€œWhy would you put yourself through that?โ€ ๐Ÿ˜ฑ Here's why:โฃโฃ

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๐Ÿ‘ถ๐๐ž๐ข๐ง๐  ๐š ๐›๐ž๐ ๐ข๐ง๐ง๐ž๐ซ - As we get older we do lots of the same things over again, relying on our existing skills. Our world narrows and so too does our brain. You forget what it feels like to be a beginner, to be afraid of not getting it right, to be at a mediocre level even when youโ€™re trying your hardest. In musical improv I battled with letting go of my ego and pushing myself to try stuff that felt difficult and clunky for me.โฃโฃ

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๐’๐จ ๐ง๐ž๐ฑ๐ญ ๐ญ๐ข๐ฆ๐ž ๐ฒ๐จ๐ฎโ€™๐ซ๐ž ๐ญ๐ž๐š๐œ๐ก๐ข๐ง๐  ๐ฌ๐จ๐ฆ๐ž๐จ๐ง๐ž ๐ฌ๐จ๐ฆ๐ž๐ญ๐ก๐ข๐ง๐  ๐ง๐ž๐ฐ, remember that itโ€™s emotionally draining to step into the unknown and give them the space and support to experiment.โฃโฃ

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๐Ÿ“‹๐‹๐ž๐ญ๐ญ๐ข๐ง๐  ๐ ๐จ ๐จ๐Ÿ ๐œ๐จ๐ง๐ญ๐ซ๐จ๐ฅ - As a self employed person I mostly get to choose the work I do and who I do it with so thereโ€™s a danger I get stuck in a rut living in my controlled existence. At this musical improv workshop I did not have much control over the activities we did, or what the melody would be, or how long a song would be, or who would sing when, or what the dance moves would be. Terrifying and liberating in equal measure!โฃโฃ

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At work, the more senior you get the more control you have and you forget how unsettling it can to be suddenly told; โ€œwe have a new strategyโ€, โ€œyour job role has changedโ€, โ€œyou have a new managerโ€ etc. Knowing that autonomy is a factor of motivation, ๐ก๐จ๐ฐ ๐œ๐š๐ง ๐ฒ๐จ๐ฎ ๐ ๐ข๐ฏ๐ž ๐ฆ๐จ๐ซ๐ž ๐จ๐Ÿ ๐ฒ๐จ๐ฎ๐ซ ๐ฉ๐จ๐ฐ๐ž๐ซ ๐š๐ฐ๐š๐ฒ ๐ญ๐จ ๐ฒ๐จ๐ฎ๐ซ ๐ญ๐ž๐š๐ฆ?โฃโฃ

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๐Ÿง ๐†๐ž๐ญ๐ญ๐ข๐ง๐  ๐จ๐ฎ๐ญ ๐จ๐Ÿ ๐ฆ๐ฒ ๐ก๐ž๐š๐ - Whereas in a work setting itโ€™s easy to rely on our thinking brains, musical improv is a full-body experience. It works best (and you enjoy it more) when you allow yourself to connect with your whole body, to move, flow, create, sing and express in a multitude of ways. And you feel it all through sweating palms, shaky voices, aching cheek muscles (from laughing uncontrollably) and deep connection with your fellow creators.โฃโฃ

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๐’๐จ ๐ข๐ง ๐š ๐ฐ๐จ๐ซ๐ค ๐ฌ๐ž๐ญ๐ญ๐ข๐ง๐  ๐๐จ๐งโ€™๐ญ ๐ฃ๐ฎ๐ฌ๐ญ ๐ซ๐ž๐ฅ๐ฒ ๐จ๐ง ๐ฐ๐จ๐ซ๐๐ฌ ๐š๐ง๐ ๐ญ๐ก๐ข๐ง๐ค๐ข๐ง๐ , use multiple intelligences and try building things in lego, creating constellations or moving outside in nature.โฃโฃ

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๐Ÿคน๐๐ฎ๐ข๐ฅ๐๐ข๐ง๐  ๐š๐ ๐ข๐ฅ๐ข๐ญ๐ฒ - Learning agility is a key skill and improv is a great way to increase it. You need to notice what others are doing and adapt yourself to create something brilliant together. To let go of your ideas to follow a new narrative or rhythm as it evolves. If you see a gap, be willing to create something imperfect and then if itโ€™s not working, try something else.โฃโฃ

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๐˜๐จ๐ฎโ€™๐ฅ๐ฅ ๐ฌ๐ž๐ž ๐š๐ฅ๐ฅ ๐จ๐Ÿ ๐ญ๐ก๐ž๐ฌ๐ž ๐›๐ž๐ก๐š๐ฏ๐ข๐จ๐ฎ๐ซ๐ฌ ๐ข๐ง ๐ญ๐ก๐ž ๐›๐ž๐ฌ๐ญ ๐ฅ๐ž๐š๐๐ž๐ซ๐ฌ ๐š๐ง๐ ๐ญ๐ž๐š๐ฆ๐ฌ so how can you bring them more into the places where you work?โฃโฃ

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A big thank you to Heather Urquhart and Steve Chapman for organising the workshop. They both do amazing things in this space so get in touch with them or me if it resonates with you!โฃโฃ

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